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Art Exhibitions, Festivals & More

ISN’T LIFE UNDER THE SUN JUST A DREAM: A CONVERSATION WITH BERLIN-BASED ARTIST TOBIAS ZIELONY ON HIS CURRENT SOLO SHOW AT BLITZ

January 27th, 2020

Eve Cocks: Your interest in uncovering lesser-known histories of sites and people encouraged you to go out in the streets and meet the people in your photographs and films. Can you tell us about the relationships you build with your subjects? Tobias Zielony: When I started photographing young people in the UK, in the late […]

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Art

“We can all contribute to a healthier and more independent art scene with a hopefully more engaged audience” – Artist, writer and curator Margerita Pulè introduces Unfinished Art Space and its upcoming project ‘Strangers in a Strange Land’

January 12th, 2020

Eve Cocks: What is Unfinished Art Space and why did you choose ‘Unfinished’ as a title? Margerita Pulè: Unfinished Art Space is an independent, artist-run, nomadic contemporary art space. It is run by Unfinished Foundation, a registered NGO with three co-founders (Karen Xuereb, Karsten Xuereb and I). We’ve been running this new initiative since July […]

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Art Exhibitions, Festivals & More

NUD. A Naked Collective

November 28th, 2019

We are over-saturated with depictions of nudity in visual art; nonetheless it still intrigues most of us whilst causing discomfort to others. Gallerist Nicole Parnis discusses NUD. A NAKED COLLECTIVE – currently on exhibit at DESKO Art Gallery until the 7th of December. Eve Cocks: ‘NUD. A Naked Collective’ is the first group show exhibited […]

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Art Exhibitions, Festivals & More

RENDERING THE TRUTH BY A LIE: Curator Sara Dolfi Agostini speaks about Sara Cwynar’s solo exhibition GOOD LIFE, currently on show at BLITZ art gallery, Valletta

September 9th, 2019

Eve Cocks: Sara Cwynar’s work brings to mind Marshall McLuhan’s notion of ‘social myths’. In his post-WW2 study of popular culture (The Mechanical Bride: Folklore of Industrial Man) McLuhan republishes actual advertisements to examine their true implications and comment on how the ‘collective public mind’ is being manipulated, exploited and controlled by the ideal and […]

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Art Exhibitions, Festivals & More

ABACÁ, AN EXHIBITION OF PAINTINGS BY POLISH ARTIST WIOLETTA KULEWSKA

July 21st, 2019

“There is a connection and relationship between human, nature, urbanisation and industrialisation. Intimate and mystical coloured shapes in my paintings reflect on current environmental issues and our responsibilities to the natural world.” Wioletta Kulewska Eve Cocks: ABACÁ is your second solo painting exhibition in Malta. Wioletta Kulewska: ABACÁ presents six new works which I created […]

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Art Exhibitions, Festivals & More

SEMPRE VIVA: A NEW SITE-SPECIFIC WORK BY ARTIST AND FILMMAKER CHARLIE CAUCHI

December 9th, 2018

Eve Cocks: This year seems to have been an important year for you. You’ve had your debut of your documentary short From Malta to Motor City, a solo show at BLITZ, as well as other collaborative projects with international performance artists, and now… SEMPRE VIVA. How does SEMPRE VIVA tie up to these projects and […]

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Art Exhibitions, Festivals & More

to be [defined] by RIMA Project – in Pictures

October 20th, 2018

to be [defined] is an artistic anthropological exhibition dealing with past and contemporary displacement displayed through discursive and concrete structures which put forward a variety of perspectives. So a dialogue is created between natives and those who come from overseas. Through a succession of places, objects and imaginaries, both familiar and unsettling, but all related […]

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Art Exhibitions, Festivals & More

Here & Now – in Pictures

June 23rd, 2018

Here are a few snapshots of Valletta Contemporary‘s current exhibition: Here & Now. From video art to fine art painting, the exhibition features work by nine emerging local artists whose work invites the viewer to reflect upon notions of space, nostalgia, contemporary ‘body politics’ and more. Here & Now is being curated by gallery director […]

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Art Exhibitions, Festivals & More

A Fragmenta event with David Pisani: Subversive Semiotics – a happening for a billboard

June 15th, 2018

Being a Dada enthusiast, I was pleased to have recently participated in one of FRAGMENTA’s public art interventions Subversive Semiotics – a happening for a bill board. Held in collaboration with artist-photographer David Pisani, Subversive Semiotics presented the audience with a Dada mise-en-scène, where pseudo names and irony were used to promote reflection about issues […]

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Art Exhibitions, Festivals & More

Artists in Conversation: Mario Abela & Justin Falzon on BEING US

June 3rd, 2018

Artists Mario Abela and Justin Falzon discuss their current exhibition at Arte…Gallery, their experience of painting together and their reflection and exploration of life and death. Eve Cocks [EC]: So how long have you known each other for? Justin Falzon [JF]: Since 1997 or 1998. Mario Abela [MA]: Definitely since sixth form, and we’ve been […]

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Meet Eve

Hello, I am Eve Cocks, a passionate art critic and blogger. Welcome to evecocks.com where I share some of my experiences and thoughts about modern and contemporary visual art in Malta and elsewhere.

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#ThisTimeLastYear #LaBiennaleDiVenezia #ThisTimeLastYear
#LaBiennaleDiVenezia
“Known for the work Faces and Phases (2006-ongoi “Known for the work Faces and Phases (2006-ongoing), an evolving archive of portraits of South African black lesbians, Zanele Muholi is a photographer who works fiercely against muting and invisibility. Preferring to be referred to as a “visual activist” rather than an artist, Muholi is co-founder of the Forum for the Empowerment of Women, as well as Inkanyiso, a platform for queer and visual activism.

The importance of self-representation is central to Somnyama Ngonyama, Hail the Dark Lioness (2012-ongoing), a series of unapologetic self-portraits that the artist intends to build into 365 images of a year in the life of a black lesbian in South Africa. The series includes works where the artist is defiantly or directly meeting the viewer’s gaze, on view in the Arsenale, and smaller silver gelatin prints where Muholi is avoiding and frustrating it, on view in the Central Pavilion.”

#thistimelastyear 
#labiennaledivenezia 
#zanelemuholi 

Caption text extracted from Biennale Arte 2019 Short Guide.

Image courtesy of the artist and La Biennale di Venezia.
This time last year @labiennale ‘May You Live in This time last year @labiennale ‘May You Live in Interesting Times.’ 

Installation view: Paintings by MICHAEL ARMITAGE @manairobi 

📸 Courtesy of the artist +  La Biennale di Venezia.

#venicebiennale2019 
#michaelarmitage
EC: Online harassment is a sad reality for artists EC: Online harassment is a sad reality for artists like you.

CG: The nude body is still accepted as OK in painting and sculpture but, in photography, it is censored or looked at and seen as vulgar and cheap. I received phone calls asking me for sex and dick pictures sent to my in box; my images were shared between groups of friends as a laugh.

Read more about the life and work of Charlene Gálea ❤️ Link in bio!

Photo courtesy of artist @rixac
"When I came to Malta, no one knew about me or wou "When I came to Malta, no one knew about me or would have appreciated my ideas, especially art spaces or curators. So I used the digital platform without waiting for anyone in the art industry to give me space, DIY style. I always relied on my self to find my way and I know communication is the way to speak to an audience." Read my latest interview with artist Charlene Gálea - link in bio! 
Image courtesy of the artist @rixac 
#CreateYourself
#contemporaryart 
#performanceart
“The project was really relevant before COVID-19 “The project was really relevant before COVID-19 as the research is about the commodification of the female body and identity as seen online. It’s about feeling the need to be seen as sexy and the efforts to be perceived as such, the competition between women and the repression women have to suffer to be seen as sexy. The exhibition criticises how capitalism has turned us into objects of display and focuses on erotic capital as promising women that that is what it takes to be happy when, in reality, all it does is make a woman feel that she is never enough.” Charlene Gálea on her first solo show Privat: The Natural Body As Fiction.

Read more - link in bio!

Photo credit of the artist @rixac and Jana Frost @janafrost.art

#women 
#commodification 
#capitalism
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About

Hello, I am Eve Cocks, a passionate art critic and blogger. Welcome to evecocks.com where I share some of my experiences and thoughts about modern and contemporary visual art in Malta and elsewhere.

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